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1. [Bookplate for George T. Turner by H. L. Peckmore] [Bookplate for George T. Turner by H. L. Peckmore] This philatelic bookplate consists of images of eight stamps. Six of the stamps (one elongated stamp in brown ink, two stamps in blue ink, and 3 in red ink) encircle a large circular stamp printed in black ink. At the lower right corner of the bookplate is the eighth stamp, printed in brown ink. Those stamps which are identifiable include: The stamp containing a hand of cards represents a stamp from the New York Consolidated Card Co., in use from 1876 to 1883 ; the stamp of a healthy man assualting a skeleton represents Sc. RS56, from 1880 for William E. Clarke - Hunt's Remedy ; the stamp containing a battleship represents a an issue from the Battleship Series of1898 ; and the stamp containing a bi-plane in the lower right corner represents the 1918 First Airmail Series - 6 Cents Curtiss Jenny. The remaining stamps have not been exactly identified. A circular seal at the lower left corner of the bookplate contains the originator's name and date ; and at the middle base is a rectangular box containing an identification of the library and an image of a set of books between book-ends. To the right can be found the artist's mark, "H. L. Peckmore". H. L. Peckmore & Son is a US printer of philatelic materials.

2. [Bookplate for Frances Mary Richardson Currer] [Bookplate for Frances Mary Richardson Currer] This heraldic bookplate consists of a stylized escutcheon, with a pale counterchanged per fess. Sections one and six are parted per cross, with quarters one and four sable (black), with a chief argent (silver), charged with three lions erased. Quarters two and three consists of a barry of eight ermine and azure (blue), with a chief azure, charged with a lion passant guardant. Section two is azure, with a simple bend or (gold), charged with two heads of a stag. Section three is azure, with a bend engrailed and or, charged with three martlets. Section four is ermine, with a cross engrailed and sable. Finally, section five is vert (green), with a bordure engrailed and or, charged with a stag's head. Below the entire escutcheon is bookplate owner's name.

3. [Bookplates for Bell Telephone Company of Canada] [Bookplates for Bell Telephone Company of Canada] This bookplate is in two parts ' one to show who made the presentation, the other to show ownership by the library. Part 1 (upper): This bookplate is composed of black text, with a dotted line at the bottom on which to record the name of the presenter. Part 2 (lower): This bookplate is composed of black text, with a small form number in the upper right, the major text with parts bolded, and a grid below that for recording due dates. Both of these pieces have an unused full glue coating on the back.

4. [Bookplate] [Bookplate] The text of the bookplate is surrounded by an elaborate border decorated with various religious figures and themes. Angels kneel on either side of the upper corners and face inwards towards a man holding a book and looking outwards from an arch. The sides are decorated with ornate columns, at the bottom of which are crosses and a symbol of the Holy Trinity. Both the top and bottom portions of the border are decorated with stylized curls. The word 'Catholic' is printed in a bold font, and 'Circulating Library' is in a curly stylized Gothic font. The rules of the library are divided from the rest of the text by bars at the top and bottom, and there is a hand symbol pointing to the library's hours of operation at the bottom of the bookplate. The price of the library subscription is given in shillings, dating this to the era of the Canadian pound which was in use until currency decimalization came into force in 1858.

5. [Bookplate for Union des Commis-Marchands] [Bookplate for Union des Commis-Marchands] Text is printed in a numbered list, surrounded by a line border resembling chain.

6. [Bookplate for Fiction Inn Circulating Library] [Bookplate for Fiction Inn Circulating Library] Printed in black ink, the text discloses terms of use for the circulating library. Includes pre-printed form for checking in/out books. One and a partial date are visible, stamped in blue ink.

7. [Bookplate for Maurie Barrett] [Bookplate for Maurie Barrett] Printed in black ink on white paper, with a peel and stick feature. The image is a version of the crest of the Arms of Canada. It shows a crowned lion standing on a wreath, with mouth open and tongue extended. The lion holds aloft the maple leaf and looks out from his frame which is surrounded by more maple leaves in a double frame. The lion's position, with the dexter forepaw raised and head turned to face the viewer, is known as passant guardant. The lion's tail is flamboyant and resembles the mantling often found on heraldic bookplates.

8. [Bookplate for Harry Hereford by J. B. C.] [Bookplate for Harry Hereford by J. B. C.] Printed in black ink on cream coloured paper. The image depicts the surface of a writing credenza which has a small drawer with a twisted handle on its front edge. The surface of the desk holds a closed vellum-bound book. To the left of the book is a small pile of stamped, addressed letters and a single candlestick with a lit candle. To the right of the book sits an inkwell with a quill pen resting in it. The entire scene is framed by two line borders ; the interior line is thicker than the exterior one.

9. [Bookplate for Gordon Elliott] [Bookplate for Gordon Elliott] In blue ink on white paper, text within a single blue line border.

10. [Bookplate for Arena Concessions] [Bookplate for Arena Concessions] In blue ink on ivory paper. Preprinted dotted and solid lines are present between the text. A red imprint, caused by prolonged contact with another bookplate, is clearly visible on the back and bleeds through to the front of the ivory paper.

11. [Bookplate for George H. Fensom by Thoreau MacDonald] [Bookplate for George H. Fensom by Thoreau MacDonald] In black ink. Landscape featuring a cabin overlooking a lake.

12. [Bookplate for Foley] [Bookplate for Foley] In black ink, this bookplate consists of an escutcheon, argent (silver), containing a fess, sable (black) and engrailed, and three cinquefoil, two over one. The escutcheon is within a bordure, sable. The escutcheon is crested by a baron's coronet, on top of which is a straight crest wreath and a lion, rampant, holding a miniture of the same escutcheon. On either side of the central escutcheon are lion supporters, charged with five cinquefoil each. Below the escutcheon is a banner containing the Latin motto.

13. [Bookplate for Marcus Brown Westhead] [Bookplate for Marcus Brown Westhead] In black ink on white paper, this bookplate consists of a shield quartered. First and fourth quarter, argent, two barrulets dancette sable, between three Saracens' heads couped at the shoulders proper, wreathed round the temples, of the first and second. Second and third quarter, azure, on a fesse argent, between three martlets in chief, and the Roman fasces erect surmounting two swords in saltire, and encircled by a chaplet in base or, three chess-rooks sable. Center inescutcheon, party per chevron or and azure, in chief a mullet of six points lies between two crosses pattée of the last, and in base the front elevation of a chapel argent, the whole being charged with a crescent for difference. First crest, on a wreath of the colors, within a fetterlock or, a Saracen's head couped proper, wreathed round the temples argent and sable. Second crest, on a wreath of the colours, a demi-eagle displayed with two heads azure, charged on the breast with the fasces, swords, and chaplet, as in the arms. The escutcheon is surrounded by mantling and below a banner bears the motto 'ORA ET LABORA.'.

14. [Bookplate for Collège de Saint-Laurent] [Bookplate for Collège de Saint-Laurent] In black ink on white paper, at the top of this bookplate one finds a banner bearing the text “BIBLIOTHÈQUE DU COLLÈGE DE SAINT-LAURENT” [French: Library of Saint-Laurent College], below which sits the coat of arms of Quebec. The coat of arms consists of a shield or escutcheon Or (gold) on a fess Gules (red) between two fleurs de lis in chief Azure (blue), and a sprig of three leaves of maple slipped Vert (green) in base, a lion passant guardant Or (gold). A banner below the escutcheon bears the motto “JE ME SOUVIENS” [French: I Remember]. On either side of the coat of arms of Quebec are shining five-point stars. Below the coat of arms of Quebec on the left is the coat of arms of the Congregation of the Holy Cross. The coat of arms consists of a shield or escutcheon Azure (blue), charged with a Latin cross, Or (gold), surmounted by two anchors, saltier, Argent (silver). A banner below the escutcheon bears the motto “SPES UNICA” [Latin: Our Only Hope]. To the right of the coat of arms of the Congregation of the Holy Cross appear the words “EX LIBRIS.” Further to the right is a third coat of arms, likely the coat of arms of the Collège de Saint-Laurent. The coat of arms consists of a shield or escutcheon party per fess, first party per pale Azure (blue), charged with a Latin cross, Or (gold), surmounted by two anchors, saltier, Argent (silver) ; Gules (red), charged with a feather quill, Argent (silver) ; second Azure (blue), a pale Or (gold). A banner dividing the shield per fess bares the acronym “C. S. L.” A banner below the escutcheon bears the motto of the Collège de Saint-Laurent: “PALMA DE CRUCE” [Latin: Victory by the Cross]. Below the three coats of arms appears a beaver facing left below which rests two crossed branches of sugar maple tied with a ribbon. At the bottom of the bookplate appear the words “MONTRÉAL, CANADA.”.

15. [Bookplate for Burton's Limited Circulating Library] [Bookplate for Burton’s Limited Circulating Library] In black ink on tan paper. A simple border frames the text.

16. [Bookplate for Burton's Limited Circulating Library] [Bookplate for Burton’s Limited Circulating Library] In black ink on tan paper. A simple border frames the text.

17. [Bookplate by Colonist Lithography] [Bookplate by Colonist Lithography] In black ink on cream paper. The top center contains the coat of arms, flanked by elaborate leafy scrollwork. In the center is text in multiple bold fonts identifying the book number and library number (with gray rectangles where these numbers were handwritten). The bottom third contains the small text rules. Surrounding everything are two thin borders, between which, on the bottom edge, is the name of the lithographer.

18. [Bookplate for Charles Carroll] [Bookplate for Charles Carroll] Bookplate consists of an escutcheon, in a scalloped chippendale style, charged with two lions rampant, between which is a sword. Escutcheon is charged with a straight wreath and an eagle with wings elevated. Cherub also stands beside the escutcheon.

19. [Bookplate for Hill's Lending Library] [Bookplate for Hill’s Lending Library] Black ink on yellow pink paper with clipped corners. Capitalized serif-font followed with by a line of stylized bold block lettering with decorative serifs. Next line contains smaller bold serif font in sentence case. Text is then separated by a thin, centered line. Subsequent text written in capitalized, bold, sans-serif font. Below that is smaller, capitalized serif font that is then written in sentence case in the second half of the line. The next four lines use quotation marks to indicate repeat content with some sentence case serif font additions. There is then a line with some capitalized and some sentence case serif font, followed by the same four line pattern of quotation marks and sentence case font. Below that is a line of sentence case serif font. The next line uses capital letters for emphasis followed by sentence case serif font. There is a line of capitalized serif font followed by larger, sentence case bold serif font. The text is separated by a thin centered line. Below the line are capital letters in serif font followed by larger capitalization font in bold, then smaller non-bold capitalized text, then larger bold capitalized text. A shorter thin line separates the text. Below the line are four lines of sentence case serif font. Next is a line in capitalized serif font followed by a smaller, bold line of capitalized serif font. The last line is written in smaller, sentence case, serif font.

20. [Bookplate for Catholic Commercial Academy of Montreal, Wm Price, and U. E. Archambault by Geo. E. Desbarats] [Bookplate for Catholic Commercial Academy of Montreal, Wm Price, and U. E. Archambault by Geo. E. Desbarats] Black ink on white paper. The border of the bookplate comprises three layers: the outermost is an abstract floral motif on the four corners ; secondly is a geometric pattern of triangles ; the innermost layer is a plain line. Curlicues surround the words “Catholic” and “of Montreal.” The bookplate is a pre-printed form with space for the prize name, winner, year and date to be filled out.
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